Saturday, April 29, 2017

THE ALLURE OF SHADOWS IN ART

In progress work of "Sunrise, Sunset"   Lori LaBerge 2017

Ten shadows measuring 6" X 6" each have been hooked. They now need edge finishing and will be stitched to industrial felt. They will measure 11" X 14" each when completed.

It was not until I began working with plein air studies that I became fascinated with shadows. I did not want to portray them as realistic works. I pictured them as abstract works, important as themselves and not necessarily related to the specific object creating the shadow.

The abstract presentation allows the viewer to imagine what the object was that created the shadow. Some of the squares were created from outdoor sketches and others were chosen from photos I had taken.

Section to be included in "Sunrise, Sunset",  Lori LaBerge  2017

The more I explore grids the more I like the idea of creating multiple small works that are meant to be hung together. This is like gestalt theory where the whole is greater than the sum of its parts. These small works become more intriguing to me when placed together. What are their relationships? 

Another question that arises is whether placement matters or not. I believe it does. The squares may be changed from the arrangement above, or they may not. When the work is in the final stages I will decide which pieces will be placed next to others.

Section to be included in "Sunrise, Sunset",  Lori LaBerge  2017

It is important to take photos of work. It gives you another look at what you are creating. The first thing I noticed in the photo of the ten together was that the first two on the top look like a continuation of each other, as do the first bottom two.  Do I want that to happen? If so, why do the others break from that mold? I do like the two cream color works being placed as the first and the tenth works, as if they frame in the rest of the work. 

I will be discussing this subject during the plein air class at Green Mtn. Rug School in June.

Go ahead and explore some shadows, take photos, make sketches and think about their shapes.

Saturday, April 22, 2017

RETREAT IN THE MOUNTAINS 2017

Wool drying after a dyeing demonstration by Nancy Parcels

Finally home after two and a half weeks on the road. The weekend before last was spent in West Virginia at Susan Feller's annual Retreat in the Mountains. We worked, hooked, shared and laughed. 

Everyone participated in sharing an interest. Some topics were yoga, movement, making a footstool, color planning in a dyepot (results in photo above), information on Penland School of Craft, hooking with velvet , TED talks on creativity, a TIGHR video and much more. The interests of group members are varied and many.

This was the 10th anniversary of the Retreat. Congratulations and thank you to Susan for all the work she puts into this. 

Here are some of the rugs worked on or shared over the weekend:

by Brenda Reed


by Shirley Hairston

by Deb Smith


in progress work by Karen Larsen

by Patti Burr

by Myra Davis

by Randi Cohen

by Nancy Parcels

in progress work by Beth Zerweck-Tembo

There were many more projects both in progress and completed. Next year promises many more.

Saturday, April 1, 2017

A WEEK AT PENLAND: TEXTILES, ENGRAVING AND MASONRY



A 29" X 32" quilt I designed and completed in Martha Clippinger's "Intuitive Geometries" class at Penland. Thanks for the red stripe fabric, Martha!

There is always something special about Penland. This week was spent in a textile class. We learned to put planning aside and work intuitively  It took a while for me to feel comfortable as I usually design everything ahead of time. By the afternoon of the second day it seemed like everyone was in full swing with projects growing and mistakes being turned into amazing work. Here's a photo journey of the week:


Beautiful moss covered steps greet visitors on their way to the supply store.

A mountain view was visible from our work tables.

Stitched projects hung from clothlines in the workroom.

Projects were placed on the design wall for study.

Some students worked on large projects.

There was an informal exhibit of work at the end of the week so we could all visit and learn about the other classes.

A close-up of part of the display by the engraving class taught by Pierce Healy.

The engraving class even made their own tools!

The masonry class, led by Joe Dinwiddie worked on building a stone wall and stairway.

Close-up of stair area

The wall even provided a place to store your moonshine.  After all, this is North Carolina.

After returning home, I found a great spot for the quilt.

We couldn't have had a better group of people working together.  A special shout out to Martha and Ann who worked to make this class informative, fun and a truly memorable experience.