Saturday, September 30, 2017

RESIDENTIAL TEXTILE, INDUSTRIAL PAINTING


"Residential Curve"  14" X 11",  Lori LaBerge  2017

Diagonal lines are on the right while a curved line counters them, extending from the far left of the work to past center. There are also straight black lines, one vertical and one horizontal on the left. Two areas balance this: the black diagonal between navy and turquoise and the vertical edge of the white section.

The vertical black line keeps the two dark colors, magenta and navy, from causing a bottom heavy effect. The black lines were added to reference the underlying structure of architecture.

"Industrial Section" and "Industrial Night"  18" X 18" each,  Lori LaBerge  2017, acrylic and graphite on canvas

A deserted warehouse was used as reference for two paintings. The glow of the moon cast a golden hue onto the building and the liberty was taken to place white in the window areas in the first work. The moon was captured in the negative space between a section of building and a smokestack in the second work. I like the interesting shape of the lighter colors against the black in the second piece.

A 14" x 11" textile work to compliment the paintings has been drawn on linen and will be hooked next week. It will be interesting to see how they work (or don't) together. 

Saturday, September 23, 2017

STUDIO TIME: PAINT AND TEXTILES


"Modern Dwelling"  14" X 11" acrylic on canvas,   Lori LaBerge  2017 

Painting and rug hooking took over the studio this week. Work from both memory and photographs is leading to more geometric drawings making their way into the sketchbook, onto canvas and onto linen.

Section of studio set-up for work.


Painting started out with a sketch on canvas. Emphasis on the curved shape seen on many of the homes along Mulholland Drive in Los Angeles was created through the use of bright white standing out among the other colors.


Texture was added to the canvas before paint was applied. There was a decision on whether or not to use texture in the painted works. I had pondered going with a smoother technique, but through studying the photographs what appeared from a distance to be smooth exteriors on homes was actually quite textural. 

"Residential Curve" in progress  14" X 11" wool on linen,  Lori LaBerge  2017

Another work focusing on the curve of modern homes is partially completed using wool. The yellow area is looking a bit small right now and may need to be enlarged height wise. The combination of painted and rug hooked work is in the experimental stages right now.

Saturday, September 16, 2017

ABSTRACT "CONCRETE BLUE", ARCHITECTURE AND COMPOSITION

"Concrete Blue"  14" X 11",  Lori LaBerge  2017

We took daily walks while visiting California. One day we passed a bright blue building. It stayed in my mind not only due to the color, but also the angle on top. I drew a sketch on scrap paper that night and transferred it to a sketchbook upon returning home.


The challenge was to make an interesting composition out of the scene. It is all about relationships to lead the eye to the white and blue areas. The red lines above show how the top and bottom of the lilac wall section are angled to lead to the bottom of the white rectangle. The top of the light rust section leads to the top of the blue wall. The area on top where gold and green meet leads down to the left side of the white.



The lighter values form a sideways "Y" shape leading to and framing the blue building while the darker values are laid out in a triangular format. A curve at the top breaks up use of straight lines. 

Frank Lloyd Wright said, "Architecture is the scientific art of making structures express ideas". I am led to think about how the 2D abstraction of architectural forms should be approached. In reviewing some of my sketches, there is a depiction of the relationship between the focal point of the work and the shapes around it. The question then becomes "How do those shapes enhance the focus?"

Saturday, September 9, 2017

EXHIBIT AT GREENHILL CENTER FOR NC ART



While in Greensboro last week, in addition to the fiber art exhibit we had a chance to view exhibits on display at the GreenHill Center for NC Art, located in the same building. Here is a short tour:

"Quintet in Harmony" by Murry Handler

Murry Handler created an interactive work which was drawing attention. The panels slide giving the viewer an opportunity for experimentation in creating their own version and interpretation of the work. I enjoyed speaking with Handler as he is cordial, well versed in the arts and speaks from his heart. He creates abstract pieces at his studio in Pittsboro, NC. A Fall Open Studio will be taking place on September 24. Visit with Murry and his art if you are in the area.

"Blue and Green Bin 2" by Kirk Fanelly

Fanelly's work consisted of inlaid cut paper on panel. There were two other works alongside this one. The compositions drew the eye around each and the opportunity to look closely at the inlay work was fascinating.

Two works by Katie St. Clair

St. Clair creates works using collage, dye, spray paint, gesso and other materials and techniques. There was a sense of depth in these abstract landscapes that just made me want to enjoy the experience of falling into them. 

Work by Renzo Ortega

Renzo Ortega was a featured artist on exhibit. His work focuses on community and the experience of immigrants along with displacement. There were larger works on canvas along with groupings of smaller pieces and installation work. Seeing his work led me to reflect upon my own experiences.

"Traffic" by Renzo Ortega

"Displacements- Detroit Series 1-7" by Renzo Ortega

One of "Displacements- Detroit Series" works by Renzo Ortega

Along with the message of the Displacement Series, the paint technique drew me in. The textures were plentiful and I found myself looking for hidden meanings in the backgrounds. Liked these a lot.

Saturday, September 2, 2017

"CUT AND DYED" FIBER EXHIBITION AT CVA GALLERY

 
"The Climb" and "Detour".  Two of five of my works on display at CVA Gallery

Last night was the opening of and reception for "Cut and Dyed: a fiber arts exhibition". The exhibit is on display at the CVA Gallery in Greensboro, NC until November 10. CVA is located in the Greensboro Cultural Center building.  It promotes the arts, provides education and reaches out to the community in addition to holding exhibitions. 

This is the first time I have shown work in the Greensboro area and I could not have asked for a better experience. Do stop by if you are in the area. Enjoy some views from the show:

A view into the gallery

Art greets all from the entry.  "Side Streets 2" is on the far wall.

"Hambridge Meadow" by Joyce Watkins King

"My Hank Shook (after Rockwell) by Ellen Kelly-Bryan

"Ain't that some shit!" by Ann Tilley

"Geometric" by Jerry O'Donnell

"Hammered Enamored" by Ann Tilley

"Shirtwaist Waste: Landfill Slice" by Joyce Watkins King