Saturday, March 17, 2018


"Yellow Door"  10" X 8" framed,  Lori LaBerge  2018

Work needs to be delivered to galleries this coming week and I have found that it helps to have a variety of sizes and price points. Smaller pieces tend to go faster and it is time to build up more inventory on that front. 

"Yellow Door" brings back memories of walking to school where every morning I passed an old storage building with a yellow door.  The work has kept a bit of the industrial mood with the gray behind the yellow.

The decision phase has arrived with the 48" x 48" piece being worked on during weekends. It has finally been titled as "Construction Quad" in reference to the four architectural scenes in the center. 

A side bar will be placed to the left of the piece. I sketched out a few options on Photoshop to help with the decision phase:

All the options contain the basic designs of the four squares, minus the circles and stripes for a simpler feel. This option has wooden shapes placed on a dark gray background. I like the colored bar through it, but have to contemplate how it affects the shapes on either side.

This option does away with the bar and places two colors on the backing board. There is no interruption of the design.

The last option has more color with the two-color backing and a third color breaking up the work. The pink section is also longer than the backing board.

I will continue to look these over in the coming week to see what develops.

Saturday, March 10, 2018


"Night Swim"  14" X 11"  Lori LaBerge  2018

Maybe its just the winter blues (another storm due this weekend), but I have been dreaming of water lately. Reading books about water, watching TV shows about water and making art about water have taken up this past week. There is something relaxing about it.

I read:

This book was picked up at an airport. It is the story of friendship, secrets kept, and the effect loss has on us. It is a fast read perfect for an afternoon on the couch. 

A great coffee table book for those who love architecture. It speaks of how the placement of a house, by the water, affects the design process. Photos of homes that fit their surroundings perfectly.

I watched:

While flipping through Netflix shows, I came across Charlie Luxton's Homes by the Sea. This is a total binge watch for me. Luxton is an architect and designer who takes viewers on a tour of homes near the water, visits with owners and finds locations to sketch his own ideas out. There was a saying a while back to the extent that Britain may have rainy days and bland food but they have kick-ass TV. Love that! Their shows are so well done.

Saturday, March 3, 2018


"Sunrise"  63" X 11"  Lori LaBerge  2018

The hooked sections of this work were done a while back. Rather than rush into a project, I set them aside to decide how they would be used. This week was spent stitching various hardware and embellishments onto them. The hooked sections were then stitched to industrial felt.

When walking by construction sites, I think about the long day those workers have. They are often up at sunrise and continue until the sun sets. The works are shadows of sections of buildings and were developed through both sketches and photographs. 

All of the hardware and embellishments are meant to relate to the construction process. They include: sleeve swivels to represent plumb lines, washers, nuts, threaded connectors. A large washer and oval jewelry parts, representing the start of the day, are on the second section.

Here is photo shown in a previous post of the design idea:

The second row will be called "Sunset".

A thank you to Linda Rae Coughlin and Rug Hooking Magazine. An article on my work is in the current March/April/May issue. If you have an interest in rug hooking, this is the best magazine to subscribe to with informative information for beginners to advanced rug hookers and wool dyers. (The last square in the above photo was created separately as "Silhouette 1" and is pictured in the magazine article, another square with the same design will be hooked to be used as the last section of "Sunset".)