Saturday, April 28, 2018

NEW ARCHITECTURAL PAINTED TEXTILE, SPRING STUDIO CLEANING

"Local Color"  24 1/2" X 30"   Lori LaBerge  2018

Paint was added to a larger work this week. It is interesting to see how the resulting paint color is affected by the wool color underneath. This has to be allowed for so the overall piece works. Mixing the right amount of paint for the larger areas to be covered proved challenging at first as I have only used this technique on smaller works. Mixing too much paint leaves waste, while mixing too little means having to match the exact color again.

Close-up "Local Color"  Lori LaBerge

Part of the week was devoted to yearly spring clean-up:

I like to change it up a bit once in a while so a large table was brought in and placed by the front window. Now I can work with a view. Organization, with more recent work displayed, started on the right wall and will continue tomorrow.

 A second bookcase was brought in to help organize and materials were cleaned up on the larger shelves. It is amazing how much is accumulated over time.The dye table will be cleaned up the beginning of the week.

Wall patching began and since I have no leftover paint I have decided to go with a color rather than redo the white for this wall. Painting starts tomorrow morning and my son and his girlfriend arrive Wednesday for a one week visit.

Saturday, April 21, 2018

INDUSTRIAL LINES AND SHAPES


 "Industrial Park"  14" X 11"  Lori LaBerge  2018

This week's work shows small changes can make a difference. I wrote a little about this piece last week. The half circle took the place of a vertical rectangle. A curve was also added to the upper section and filled with dark blue. This broke up what would have been too much white space and created a better contrast against a section of the light blue. The dark colors envelope the lighter ones leading to an interesting lighter shape running diagonally through the piece.  

Original sketch for comparison to finished piece

While working with sketches and photos of newer homes, I still love industrial buildings. They lead to discovering numerous lines and shapes.

 Diamond shapes interlock on fencing, an oval is formed on the top of the barrel, while horizontal piping follows the length of the building. I like the sky shape left by the L shape of the building in this photo.

Various chimney shapes, taller, shorter, round, square. The side vents have one horizontal and a larger one vertical, lending variety. The piece developed from this photo is below:

"Paint the Town Red"  11" X 14" Lori LaBerge 2010

 Wide circular shapes on rooftop contrast with the wide rectangular shapes. Small openings are seen along the side of the building. Barbed wire runs across the top of the fencing.

 Cranes and piping add height. The horizontal rungs of a ladder are on the side of  tall brick form. The wide width of the smaller tank with domed roof in front gives it a horizontal appearance. Shapes are shown in relation to each other.

Vertical and horizontals of the metal bars in front resemble an erector set. There is a variety of spacing on the form that climbs the side of the building. Various box shapes make up the building itself.

Thursday, April 12, 2018

CREATING BY SPEAKING WITH YOUR WORK


  "Orange Mint"  11" X 14"  Lori LaBerge  2018

We've been on the road the last couple of weeks, but I have been working. This piece uses repetition. Three curves (2 partial circles and the upper left) and multiple diagonal lines. There are two whites, blacks, greens and oranges. A bit of shadow play uses the dark orange and dark green. The cityscape is implied but avoids realism.

New sketches were created with the idea for "Orange Mint" on the middle right.


I am reading "You Say to Brick", a biography of architect Louis Kahn written by Wendy Lesser.

The title is Kahn's reference to his method of talking to materials and asking them what they want to become. I am finding myself attempting to apply this method by looking at a design sketch and saying "Okay sketch, what colors would you like to have? What would you like to convey?" It is a bit odd at first, almost as if you are giving up control. It is not necessarily what you want the sketch to be when turned into a textile work (after all, as artists we can be a bit self involved), but what it wants to be. 

I like Kahn's way of thinking about what a material or design wants rather than what it needs.

"Industrial Park" in progress  Lori LaBerge  2018

Another work titled "Industrial Park" (in progress) was developed from the sketches made. The original vertical rectangle was changed to a half circle. The design basically said "I want to be an industrial park (this developed the title) and I want a half circle with a curve like the top of the blue and yellow sections have. Because industrial parks can have dull colors, make my half circle bright red."

Without using Kahn's method, I may have made the yellow door like section the focus by using a brighter color or more contrast against the blue. This may have worked, but I look forward to seeing how that red works when the piece is completed. Well, with Kahn's method I know who's boss and it seems to be the art itself.