Showing posts with label rug punching. Show all posts
Showing posts with label rug punching. Show all posts

Saturday, March 14, 2015

USING LINE IN ART


 "Mountain Reflections"  in progress,  20 X 20, Lori LaBerge  2015

This week led to the completion of the light gray background.  The dark triangles show up nicely and the white lines still show on the light grays.  I am contemplating changing out some colors on the top section of the large triangle.  It is funny how color reacts and the oranges on the edge sections seem to be giving the visual effect of the triangle leaning to the right a bit  in the upper peak.  Or maybe it is the darker line on the left side of the peak causing this. 

I've been reading about the use of line in art this week.  It is one of the basic elements of drawing and sometimes we forget how important it is in our work.

Line performs many functions.  It can define a shape, divide or separate out areas, be used to create a look of texture, create depth (think of looking down a railroad track and how the lines seem to come closer together as the track disappears into the distance) and depict movement.


The apple above has a specific shape, yet it has no definitive lines around it in reality.  It is not outlined as in a coloring book.  The apple is round, a 3-D shape. We look at the shape and create lines to define it when we draw the apple.

A good way to study the use of line is to draw the human figure.  It can be intimidating. The human form is complex.  There are many lines.  Curves, angles, hard and soft lines. Vertical lines are used to find the center line of a figure.  There is the line of the torso section where the body bends.  Basic lines are used to give a general form to the body position before creating a finished figure.

These are some drawings I did a few years ago following instructions in a figure drawing book.  Curved lines define muscular areas while sharper angles define the elbow. Textured lines define indentations in the skin.  Darker lines define depth under the arm while lighter, softer lines give less depth.


Line has direction.  Vertical lines tend to be strong, leading one's eye upward.  I always think of cathedrals when I see vertical lines as architecture also uses the vertical to impart strength.  

Horizontal lines give a sense of calmness.  In "Mountain Reflections" at the top of this post I used wide horizontal lines in the background.  Vertical lines would have been too overpowering behind the triangle shapes, detracting from the strength of the triangle itself. 

Diagonal lines are active.  In "Mountain Reflections", they depict the curve of the mountain roads.  In a human figure the diagonal shows movement such as dancing or stretching.


Lines can change the appearance of things.  Horizontal lines on a building will make it look shorter while vertical will make it appear taller.  We can all relate to this with clothing. Wearing a horizontal stripe at the hip or at the shoulder can make those areas appear wider than they actually are, whereas wearing a vertical stripe gives the appearance of us being taller or thinner.


Drapery has always fascinated me.  Standing still, one's clothing may have few wrinkles and fall fairly straight, but sit down and cross your legs and everything changes.  There are more folds and more angles.  And what happens to clothes when they get wet?  They cling forming smooth areas along with strong creases.  

View the lines of the human form along with how the fabric of clothing changes according to your movements.  Try drawing some of these lines (no need to be perfect, just get an idea of how line defines shapes) and have a great day.

Thursday, February 5, 2015

RUG PUNCHING, NEW DESIGNS AND ADMITTING COLOR VALUE ERRORS

One last post before I'm off for two weeks:

What could this be for?

 I am figuring out ways to continue working with only my left hand.  The actual punching is not bad, but threading the punch became a dilemma.  I hammered a nail through a piece of wood to set the punch on top of. This allows the punch to remain stationary so I can thread it with my left hand.  Much better! 

Here is the result of rug punching practice.  The loops will need slight adjusting but it is going fairly well so far.

I wanted to get some new designs for the "Road Series" on linen this week.  The two items above led to two different designs.

"City Block", design process, Lori LaBerge  2015

The doorplate inspired this design.  A friend I used to visit in college had a wonderful old doorplate on her city home, so with this memory in mind I knew where the design was going. There is something beautiful about the sparkle and glow of never ending rows of windows lit up throughout the city.  I did not want the windows to be symmetrical, they needed to be slightly off.  A half window on the far left and at the bottom create balance without matching the other windows.  The actual doorplate will be placed in the rectangle on the left.

   "Detour", design process, Lori Laberge  2015

The washer pictured earlier will go in the middle of the upper area of this design. We seem to have constant road construction on our main highway.  There are detours, delays and endless orange barrels.  This design includes a line through where the washer will go as a signal not to enter and a small and large orange barrel.  Again, the design is slightly off with the large rectangle further to the left than the right.  Color will also be used to create balance in this piece.

"Broken Glass" in progress,  Lori LaBerge  2015

I have finally had to admit to myself that the turquoise green in the upper section of "Broken Glass" was not working.  I was finding it just too boring.  Brighter blue was used to randomly outline, dark green pieces of yarn were hooked in, but it just was not helping the piece come together. The turquoise green value blends in too closely with the blue next to it. The decision to change it to a darker value has been made.  The contrast will create a better overall feel for the work.  The new value will be slightly lighter than the dark green piece of wool lying on top of the work in the above photo.

I also dyed over a blue plaid.  This wool will be hooked in with the black, brown and other dark values going into the bottom section of "Broken Glass".

Find what inspires you to create new designs, never be afraid to admit that change may need to be made and have a great day.

Saturday, January 24, 2015

RUG HOOKING AND RUG PUNCHING IN THE STUDIO

Studio desk, messy and productive

The countdown to wrist surgery has begun and I"m dividing up "Missing Glass", a 36" X 60" piece, to see if I will be able to complete the hooking process before the surgery date of February 6.  That gives me 13 days (as I write this).  If the unhooked sections are divided into 13 parts there are some full days of hooking and dyeing ahead.  

  Upper section of "Missing Glass",  36" X 60", Lori LaBerge  2015

This week the upper section was filled in with three light greens: a value 1 spot, a value 3 spot and a solid. A medium green will go above that on the diagonal and a dark green in the upper corner.

Close-up of "Missing Glass"


New frame sitting in the workshop waiting for stain to dry.

Pete and I are working on creating various size frames for hooking with an easel. This is the third Pete has put together for me.

Happy in the studio with a rug punch.  No make-up and serious expression.  I have priorities.

One of the new frames was put to use this week.  "Mountain Reflections", a 20" X 20" work, was started.  The reason for starting this piece while still working on the larger one is to practice rug punching with my left hand to be ready to work after surgery. Trying to use a hook solely with my left hand just was not working out.  I'm still working on inserting the wool into the punch needle with left hand only.

The operation I will be having is called a proximal row carpectomy.  Three bones in my right wrist will be removed due to a completely torn ligament and bone rubbing against bone, which is pretty painful right now.  I will end up with limited movement but no pain.  I'll see how recovery goes.


I have never punch hooked before, other than a quick practice round with Melina White at the Green Mountain Rug Show, and found it quite simple to adjust to with my right hand. When I switched to practice with my left it only took a few minutes to get used to it.  Looking forward to working in a new way.  This is the Oxford punch needle created by Amy Oxford.

Textileartist .org has a good article on the mind-set of professionals here.  It mentions adversity and determination.  You may have to change the way you do things, but you can be creative no matter what.  Don't let anything stop you.

Give rug punching or other rug techniques (braiding, shirring, standing wool, proddy, etc.) a try and have a great day.